Showing posts with label top chef. Show all posts
Showing posts with label top chef. Show all posts

1.09.2007

"It looks like cat spit"

The theme of this week’s episode seems to be “Marcel is a douchebag.” While this concept is nothing new for anyone who’s been watching TC this season, it’s entertaining nonetheless.

The episode begins with some apartment banter: Marcel bogarts the skillet to keep his eggs warm, Ilan calls him a virgin, Michael has had some medieval looking dental work done.

Quickfire
Ted Allen of Queer Eye fame is the guest judge, and Padma informs the chefs that the Quickfire winner will no longer receive immunity in the Elimination Challenge. Cliff tells us he could give a fuck. He’s just that good.

The cheftestants draw knives to find out which color they will have to plan a dish around in a “sensory” challenge. We learn that Sam is colorblind. A tragic flaw! I knew I’d find a chink in that exquisite armor…

Betty cooks a green dish that marries the Obvious with the Excessive: a green mess with about 50 kinds of green food in something that could be loosely termed a salad. Marcel thinks brown is somehow a difficult color, and douses his dish in coffee grounds. Elia’s white poached egg looks edible. Cliff’s (also colorblind) eggplant is clearly the only purple dish possible, so whatevs. Sam does a very yellow dish that didn’t seem memorable. Because I forgot already. Ilan does a red tartar, and it kind of looks like congealed blood with red tortilla chips. Michael wins the Quickfire with orange carrot chips that are “bagable” according to Ted, and some salmon.

Elimination Challenge
Padma informs the cheftestants that this will be a conceptual challenge: the Seven Deadly Sins. The chefs will be serving the meal for Debi “Being Electrocuted” Mazar. The chefs draw knives for the sin they will be asked to render, and as the winner of the Quickfire Michael is given the option of switching his sin. He switches his “Lust” for Marcel’s “Envy.” It’s hard to know whether he is more interested in the concept of Envy or screwing Marcel. Now Marcel must cook Lust, which he thinks is a “goldmine” Michael has given away. Let the virgin jokes commence!

Marcel immediately pisses the group off by waffling on whether he would like to serve second or seventh course. He lands on sixth, or first dessert, after pissing off Sam and Betty. Ilan is also doing a dessert, and is pretty cocky, telling us that “it’s going to be a piece of cake beating Marcel.” Piece of cake, get it?! Dessert showdown!

Michael goes high-concept with envy, assuming a blue crab would envy a king crab (‘cause it’s bigger, duh), but is thwarted when the store doesn’t have crab. He transfers his unique theory of envy to fish, logically assuming that a trout would envy a salmon. Problem solved.

Sam loses his shit with Marcel at the supply store, to less dramatic effect than the teaser had anticipated. No bloodshed or broken glass. Weak. Sam is also cooking for “Wrath,” which Marcel finds ironic. It’s amazing how so many people confuse “ironic” with “obvious.” Anyway, Sam tells us he’s Sicilian, and that’s where his access to anger comes from. I guess Marcel’s never seen The Princess Bride.

The dinner prep goes along pretty predictable lines, with Ilan telling Marcel that the cherries in his dessert are libido killers and Chef Tom scratching his head at two desserts for one meal. He's mostly just cute in his little blue chef smock, taking his usual bemused tour of the courses.

Arriving at the dinner site, the group (sans Marcel) bands together, helping with each other’s service. Clearly bucking popular opinion, Marcel declares himself a team player and we see the evidence as he pours wine for Sam's course. Sam’s seviche seems to be popular but is mostly glossed over by the show's editors.

Betty’s Sloth-y slow roasted soups are served in champagne flutes, which appears to be a mistake, given that their grit is sticking to the glass in a really unappetizing way. This bums me out, because I thought Sloth would be one of the more difficult sins, and I thought slow-roasted soups was a pretty clever approach. Tom and Ted don’t care for the texture. Oh well.

Michael’s dental visit looks like a herpe, so he tries to get Sam to present it. The diners demand Michael, and he comes out to explain fish envy. The judges dig it.

Cliff’s Greed is apparently manifested in the amount of seafood present in the dish. The “amount is succulent” according to Cliff. I don’t think this means what you think it means, Cliff.

Elia’s Proud chicken is uncomplicated, Debi says. The diners toast chicken.

Marcel “snaps” at Betty, and everyone who hates Marcel (so everyone) uses this as an excuse to make him apologize before they’ll help him with his service. He then pours chocolate in the mouth of some chick from The Sopranos. Debi says Marcel’s foam "looks like cat spit" (dice que?) and that the Lust-y cherry tart appears to be made by someone who hasn’t had enough sex. Heh.

Ilan serves his Gluttonous chocolate cake with mushy funnel cake, to poor reception. He also sneaks a dig at Marcel by telling the diners that cherries drop the libido. He’s trying to be cute (and he really doesn’t have to try too hard at that), but dogging Marcel’s dish like that just makes him look like an ass. Picking on a virgin is just mean.

Judges' Table
The judges call Elia, Michael, and Sam in as the top three dishes. Michael wins in a vicodin-induced, herpe-faced landslide. The judges all love it, and the other contestants give their likeable-but-not-intimidating competitor his props.

Marcel, Betty, and Ilan are the bottom three. Ilan is immediately called out for dogging Marcel. Padma hates Marcel’s foam. Tom tells Betty that beets and red peppers do not ebony-and-ivory make.

Betty and Ilan volunteer Marcel to go home, saying his gelee had little flavor (read: we hate that virgin foam eater). Marcel wants Ilan out. Back in the kitchen, Ilan gives Marcel some valuable vocational advice ("learn how to cook"), and we see Ilan’s bitchy side, as he manages to sound superior while using the word “paprika.” Now that's a top chef.

All agree that Ilan’s funnel cake is the worst element of the entire meal. Marcel’s cherries are deemed not lustful. Betty’s flavors and textures are off. Any guesses? The judges speak in carefully edited vaguishness, and conveniently decide who should be cut just before the commercial break.

We return, and the predictably-awesome verdict is in. Clearly Ilan and Marcel are making good television, so it’s Betty’s turn to pack her knives and go. Her biggest regret? Not making it past Marcel. I guess Michael knew what he was doing by swiping Envy as the sin most closely associated with cooking.

1.04.2007

The New Shows

I'm envisioning this space to be primarily tv recaps and reviews. The sidebar "Must List" is where I've listed the shows that I'm going to be discussing. Choosing them wasn't easy; I feel like I watch TONS of tv, and yet I had trouble picking. There are a couple of reasons for this problem:
1.) Many of my favs just aren't on any more: Sex and the City, The West Wing, Six Feet Under.
2.) A few current muses are on premium channels I can't afford: Weeds, Dexter, Entourage.
3.) Schedule conflicts also cannot be solved until my budget can afford a TiVO, or I convince the writing program that TiVo is an expense they should cover. This makes catching House and a few others difficult.

So, in the end, I will be looking at five shows, at least until other shows come back from hiatus (Project Runway, America's Next Top Model) or I get bored. The rationale:

Heroes - I just picked this one up over the winter break. Everyone seemed to be raving about it, so I took the liberty of downloading several episodes on iTunes to find out for myself. (Only after downloading six episodes did I realize I could watch them streaming on nbc.com. Oops.) The series starts a bit slow, with so many characters to introduce and follow. And I do think that over the entire half season that's aired so far, that's really the weakness of the show: trying to cater to too many stories, stars, and characters. Ensemble casts are fantastic, but Heroes really should take a page from Lost and focus on only one or two characters per episode to take the pressure off the storytelling. I'm also not loving the Nikki/Jessica storyline featuring Ali Larter. I don't know if it's the acting or the character, but it seems much more melodramatic and twirling-mustachioed than the other threads.

Overall, though, a series worth keeping up with and picking up on if you haven't yet. The casting is good; I especially like Milo Ventimiglia as Peter Petrelli and Hayden Panettiere as "save the cheerleader save the world" Claire Bennett. Panttiere's overly-built, orange-stained, trying-a-bit-too-hard teen presence is perfect for the all-American girl with a secret that Claire embodies. And Sendhil Ramamurthy may be the most attractive man. Ever. Mondays, 9/8c on NBC.

Lost - The show that launched a thousand sci-fi series. The first season was groundbreaking, engaging, and enthralling. The second season was less so. Now six episodes into Season 3, we're waiting through a long hiatus for the final 16 episodes. In my opinion, the introduction of the "Others" has benefited the series in a way the "Tailies" did not. The Tailies seemed like a mere shark-jump to infuse new characters, while the Others really do provide new stories, perspectives, and possibilities. That said, watching Jack, Sawyer, and Kate remain in captivity for six episodes has been bor-ing. Time to set them free and move the plot along. Pronto. Wednesdays, 10/9c on ABC.

Studio 60 (on the Sunset Strip) - I'm willing to admit that the Cheese Might Stand Alone on this one. I know that some things on this show are not working. I know that many have been pretty disappointed. I know that some of the sketches are not funny. But regardless, I am a fan of Aaron Sorkin come hell or cancellation. I don't need to rehash my eternal love of all things West Wing and Sports Night. But the fast-talking, behind-the-scenes, incessantly-optimistic worldview Sorkin draws in every script is irresistible to me. I can't hate on it.

Along with my love for Bradley Whitford and Timothy Busfield, I've also been pleasantly surprised by some the newcomers to the Sorkin clan, in particular Sarah Paulson as Christian comedienne Harriet Hayes and Steven Webber as nasty network exec Jack Rudolph. In general, Sorkin's sanguine approach to the promise and possiblity of popular culture gives the validation coach potatoes need to sit through yet another hour of television. Mondays, 10/9c on NBC.

Top Chef - Along with Project Runway, Top Chef is really putting Bravo's original programming on the map. I don't even cook or watch cooking shows, but the talent and artistry associated with producing fine cuisine is fascinating. And the bitching. I really like the bitching. I liked the first season, but this second season is even better. Gone is boring-vanilla Billy Joel's wife as host, and in her place is interesting-Indian Salman Rushdie's wife. As for the contestants, Elan is adorable, Betty is hilarious, Marcel is cartoonish, and Michael is, as guest judge Anthony Bourdain put it, Flinstonian. The food is hot, Padma Lakshmi is smokin, and the competition is sizzling. Wow, that was chee-sy. Wednesdays, 10/9c on Bravo.

Veronica Mars - My favorite show. Season 1 broke noir ground, Season 2 paced back over it, and Season 3 is dragging it to college. The move to Hearst College hasn't been easy for Veronica or Veronica Mars, but after the first mini-arc of nine episodes, this season may be finding its stride. The combined forces of the move to the CW, its pairing with the waning Gilmore Girls, and the ever-present ratings crisis have forced writer/creator Rob Thomas to pander a bit to new, younger audiences. This means that references to previous seasons have been minimized, Kristen Bell's wardrobe has been sexed up, and the noir elements have been toned down. Oh, and V's kinda bitchy now.

I think that the Hearst Rapist mini-arc ended well but the treatment of women and sexuality on a college campus was botched. It seems painfully obvious to make the feminists angry, the frat boys sloppy, and the heroine repeatedly roofied. The high-tension, surprising conclusion to the storyline helped out some of the problems, but I'm hoping Rob Thomas and Co. can step up their game a bit and lose the ugly shoes/Women's Studies jokes. Here's hoping! Tuesdays, 9/8c on The CW.

So that's the rundown! I'm looking forward to the shows resuming after the winter break. I hope that the shows that have struggled have used their time wisely, and that Spring will beat Fall in quality and ratings. Let me know your thoughts on these shows and your expectations for the coming episodes!